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Friday, March 3

MarchFourth's 14th Anniversary Pre-Func with Pimps of Joytime

Pimps of Joytime

7 p.m. doors, 8 p.m. show

All ages welcome

$20 advance, $23 day of show, $15 student

Presented By: MarchFourth Presents

MarchFourth's 14th Anniversary Pre-Func with Pimps of Joytime

MarchFourth is a joy-inducing force of entertainment. This colorful explosion of brassy funk, rock, and jazz emanates from musicians, acrobats, stilters and more, touring the country year-round, taking audiences on a booty-shaking, soul-stirring journey that defies categorization. Fifteen MarchFourth musicians traveled from Portland, Oregon to New Orleans, Louisiana to record their fourth studio album, MAGIC NUMBER. With Producer Ben Ellman (Galactic) and Engineer/Producer Mikael "Count" Eldridge (DJ Shadow, Tycho, Galactic, Trombone Shorty) at the helm, the album is full of the captivating grooves and brassy swagger you'd expect from M4, plus a healthy dose of New Orleans magic, with guest appearance by Trombone Shorty, Stanton Moore (drums), and Matt Perrine (sousaphone). The album was fan-funded through Kickstarter (out September 30, 2016).


"Perfectly merging the artistic spirit of Portland with the musical spectacle of New Orleans, MarchFourth put on one of the most complete shows of any band on any stage. From rocking big band jam tunes, choreography and feats of strength that need to be seen to be believed, MarchFourth entertains on every level every second they are on the stage...or off!" ~Rex Thomson, Live for Live Music


"From the first note to the last, the sound was pumping and the fun never stopped... It's worth noting that there are serious musicians behind all the fun. I was a music major in college and it's obvious these guys (and gals) have had lots of training and formal practice. Talented band geeks turned rebels. When one of the horn players steps up to improvise a solo, you know it's going to be a treat." ~ Tim Leffel, USAToday


"You could call MarchFourth a Vaudeville circus, or a sexy carnivalesque sideshow of animalistic proportions where all sense of decorum is beaten into submission. I call it a panoply for the senses, a celebratory feast of friends, a visually stunning performance that sears itself into your brain." ~Mike Greenblatt, The Aquarian

website:
http://www.marchfourthband.com/

Pimps of Joytime

When it comes to throwing a party, the Pimps of Joytime raise the bar with swagger to spare. Rhythms and textures drawn from New Orleans funk, 90s club house, 60s salsa and hip­hop all collide and fracture upon one another on their new LP, Jukestone Paradise. Dubbed "raucous and captivating" by Okayplayer, their album cuts play like the soundtrack for a ride through Brooklyn's diverse neighborhoods, where the group's sound materialized.

And the Pimps' live experience only takes it higher.

Over the past decade, the group's grassroots following mobilized from the underground club scene in New York to sell out historic venues like the Fillmore in San Francisco and earn top billings at music festivals across the US and Europe. Quite simply, the Pimps' dancefloor is magnetic. But word spreads to the wise when you pair high­caliber musicianship with melodies and beats that are as universally enticing as they are unconventional.

The Pimps of Joytime's first album High Steppin' caught NPR off guard when it dropped in 2007, as its editors raved, "It has it all: soul, funk, punk, afrobeat, rap. I've not heard anything quite like it." The group's 2011 release Janxta Funk! extended their movement even further into the mainstream circuit, with the title track seeing more than 1 million plays on Spotify to date.

Guitarist and singer Brian J is the mastermind behind the Pimps' evolving mosaic of mixes and remixes, producing all of the bands' records as well as other solo records for New Orleans legend Cyril Neville and Corey Henry of Galactic. His genius is only elevated by bassist David Bailias, who doubles as DJ, subtly weaving EDM club beats and synth keys throughout the Pimps live show. Over top comes drummer John Staten's funky break beats, which land in sync with the live percussion and siren­like vocals of Mayteanna Morales and Kim Dawson.

You might accurately call the them a ‘post­genre' band? a group whose sound-even within a single song-mirrors the diversity of our generation's musical tastes. It all goes into the Pimps' soulful roux, built on a foundation of rhythm and groove.

 

:
http://pimpsofjoytime.com/